‘Be True’ is part of a series of sculptural work I created called ‘Objects of Contemplation’.
This series was inspired by amazing women I know, and reflects some of the inspiring individuality and strengths of these women and women as a whole! The pieces in this series are all representative of large expressive necklaces, that are all to be hung on the wall.
‘Be True’ visually represents an embroidery hoop. It hangs on the wall, like a recently removed neckpiece. Look at the detail to see the ‘stretched fabric mesh’ background, with ‘cross stitch’ detail and a needle representing work in progress.
‘Be True’ : be true to yourself. Follow your own path, appreciate your own strengths.
It represents creativity, craft skills, family, tradition, homeliness, sewing, embroidery, contemplation, interaction.
etched stainless steel 300mm x 500 x 20mm (there is a wall fastener at the back of this piece.
Large expressive neckpieces inspired by extraordinary – ordinary women.
Designed to be wall mounted
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The ‘Stainless Rosary’ floats in the lace-like repetitive ‘Hail Mary’ prayer.
The prayer is double layered, running horizontally at the front and running vertically behind. This crossing of text holds the floating rosary ‘beads’ in place. The fleshy pad of your finger tip locates in the ’empty oval bead’
etched stainless steel 590mm x 290mm
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The ‘Golden Rosary’ floats in the lace-like repetitive ‘Hail Mary’ prayer.
The prayer is double layered, running horizontally at the front and running vertically behind. This crossing of text holds the floating rosary ‘beads’ in place. The fleshy pad of your finger tip locates in the ’empty oval bead’
gold plated etched brass 590mm x 290mm
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The William Hill St. Leger Stakes Trophy 2017
Commissioned by Doncaster Racecourse and Sheffield Hallam University
Rose Bowl - sterling silver and gold plating (central piece in the St. Leger Trophy - see last image)
diameter 210mm height 60mm
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Portable Holy Common Sets
Travelling Priest 1 - vessels for water and wine, chalice, paten, container for hosts and oil burner
Travelling Priest 2 - screw topped vessels for water and wine, chalice, paten, container for hosts and candle holders
stainless steel, gold plated brass and glass
Funereal Urn
stainless steel
‘Tracks’
‘Peeled’
‘Alphabet Spaghetti’
‘Slice’
‘Amoeba’
‘Weave’ with peppers
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The Acid Test work has arisen from innovative research that integrates digital and hand techniques, that utilises industrial processes within craft-making, applies some of techniques of tailoring to forming metal, and reconsiders our relationship with craft-made objects. Digital / analogue, industrial / craft, cross-disciplinary, interactive.
The starting point begins with on-screen or on paper, creating image and pattern. The image is applied to a sheet metal surface using the photo etching process and etched away by immersion in acid.